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Many programs utilize auto sample alternation for added realism.įor touring musicians, this is the ultimate instrument to have on the road or in a club. All programs have CC11 as an additional volume control. Programming is kept very simple, and programs that utilize the mod-wheel are labeled appropriately. COLOSSUS includes 15 Gigs of new sounds recorded at Ocean Way Studio B (24-bit), a new 2 Gig piano recorded in Europe, and 15 Gigs from the award-winning range of QUANTUM LEAP and EASTWEST titles (EW/QL Symphonic Orchestra, EW Steinway B Piano, QL Stormdrum, QL Guitar and Bass, QL 56 Strat, QL Hardcore Bass, QL RA, QL Brass, QL Voices of the Apocalypse), all newly programmed with superior sound quality. Despite the fact the Rhodes has been sampled many times, COLOSSUS includes a unique vintage sounding Rhodes you won’t find anywhere else. Even if you own some of these instruments, you will love this collection.
#Eastwest quantum leap symphonic orchestra in ableton plus
Every instrument and sound in the diverse range of demos above comes from COLOSSUS.ĬOLOSSUS is a massive 32 Gigabyte (not Megabyte) Virtual Instrument that covers all of the basic musical genres, the way a keyboard workstation attempts to, except COLOSSUS offers much higher quality instruments and dynamics than any keyboard available today.ĬOLOSSUS is an indispensable tool that you will reach for time and time again when nothing else works, it will become your Swiss army knife of composing, plus it’s GM compatible! You can expect the usual QUANTUM LEAP exceptional quality in COLOSSUS.
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If you're looking for warmth and the ability to easily manipulate nearly any aspect of the instruments' performances to your heart's content, Symphonic Orchestra gives you every tool you need in one place. East West Quantum Leap COLOSSUS ĬOLOSSUS is the first SUPER HIGH QUALITY complete sound set ever created, and includes 160 instruments (approx. Every major adjustable feature can be controlled from a single interface, including reverb, mic positions, filtering, and section volume. This all but eliminates the need for artificial reverb, drastically cutting down on the amount of time you spend getting your ambience settings just right. By selecting different mic positions, you can mix these sounds together to create virtually any placement or level of depth desired. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions: close, stage (conductor's position) and hall. All instruments sampled with close, stage, and surround mics Intelligent release trail engine that automatically follows the volume of note-on velocities Intelligent Performance section including Portamento, Repetition, Legato, and Round Robin Reset
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Created by award-winning sounds producers Doug Rogers and Nick Phoenix and recorded by Grammy-nominated classical recording engineer Prof. The best-selling and most awarded orchestral collection ever created You can create convincing orchestral performances with very little time and effort, and the natural ambience will make it feel as though the instruments are playing back live. Every detail of the recording hall is captured with incredible precision and detail, adding realism and shimmer to every note. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was honored with Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the very first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Recorded by 11-time Grammy nominated classical recording engineer Prof. MULTI-AWARD-WINNING COLLECTION OF ORCHESTRAL FAVORITES Solo Clarinet - Solo Bass Clarinet - Solo Bassoon - Solo Contrabassoon Solo Piccolo Flute - Solo Oboe - Solo English Horn 1 - Solo English Horn 2 They're best suited to woodwind ensemble passages and thickening up key moments in the strings and brass.ģ Flutes - 3 Oboes - 3 Clarinets - Solo Flute - Solo Alto Flute No section of the orchestra has such a diverse set of tone colors as the woodwinds, and they're all subtle enough that they blend extremely well with the string section (they can also double the brass, but in a live setting, the brass section often overpowers the woodwinds).